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Harry Belafonte sang the original and he treats the lyric with a slow and sincere reverence as befitting a hymn, but Boney M do virtually the exact opposite and fashion it into a disco shuffle with Caribbean steel drum backing. Not that this would be too much of a problem if there was a party vibe a la Slade going on here, but the beat is a ponderous one with Liz Mitchell treating the lyrics no less respectfully than Belafonte did. It's an odd combination and one that's neither prayer nor party and, at five and a half minute long, it outstays its welcome by at least half its running time.
And this length is chiefly due to one of Frank Farian's own compositions - 'Oh My Lord' - being tacked onto the end in a kind of festive medley. Not that this is a good thing in itself you understand; too slight to stand by itself, it adds little to the parent track except secure half of the royalties for Farian and make everyone else long for a good blast of Jingle Bells, even if it's just from the urchins down the street demanding money with veiled menaces on your doorsteop for the privilege of hearing it.
Hi : have just written a blog about a recnt music video I did with Frank in germany. The fie´rst part of the day is in it. I can't show the rest until the song and video comes out. You may find it inetersting.
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Hi - Cheers for the link and thanks for reading.
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